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8 January 1836 – 25 June 1912. Most renowned painters.

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Canaletto
Capriccio con i cavalli della basilica posti sulla Piazzetta (mk21)

ID: 22747

Canaletto Capriccio con i cavalli della basilica posti sulla Piazzetta (mk21)
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Canaletto Capriccio con i cavalli della basilica posti sulla Piazzetta (mk21)


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Piazza San Marco,Looking Eastwards | the Old Horse Guards from St James's Park | Venice Viewed from the San Giorgio Maggiore ds | The Fonteghetto della Farina | View of the Entrance to the Arsenal df |
Related Artists:
CRETI, Donato
Italian painter, Bolognese school (b. 1671, Bologna, d. 1749, Bologna) Italian painter and draughtsman. His individual and poetic art represents, with that of Marcantonio Franceschini, the last significant expression of the classical-idealist strain in Bolognese painting. His activity was almost wholly confined to Bologna, where he painted decorative frescoes, altarpieces and easel pictures for private collectors. Two qualities are paramount: a perfected finesse of handling and poetic suggestiveness of situation and mood. He sought the ideal beauty of the individual figure and was thus at his best in meditative pictures with few figures; his subjects combine grace of form and precision of contour with flesh that attains the surface delicacy of porcelain and colours that have a mineral-like refulgence.
Bouts, Aelbrecht
Flemish, approx. 1452-1549
Charles van den Daele
painted A happy family in 1852






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